Saturday, August 15, 2009

Has the "Journal' Lost It's Soul?

Rupert Murdoch has not wrecked the Wall Street Journal, as many had predicted. But a key question remains: is the new regime committed to unbiased reporting, or will it politicize the news?

By Scott Sherman
This article appeared in the May 11, 2009 edition of The Nation.

In the upper ranks of American newspaper editors, Eugene Roberts is a highly regarded figure: under his stewardship in the 1970s and '80s, the Philadelphia Inquirer won seventeen Pulitzer Prizes in eighteen years. Last spring, while researching a piece about Rupert Murdoch's acquisition of the Wall Street Journal, a reporter for The Atlantic contacted Roberts and found him in a pessimistic frame of mind: "Murdoch says he wants to turn it into something more like the New York Times," Roberts said, "but I suspect it will end up looking more like USA Today."
I recently phoned Roberts and asked him if the Wall Street Journal had, in fact, emerged as a replica of Gannett's USA Today. Roberts retreated from his earlier remark and made it clear, in his low-key manner, that he admires Murdoch's Journal: "I've been impressed with what I've seen so far," he told me. "There is more foreign reporting. It's more of a general-interest newspaper. On the whole they are doing a good job of pursuing political and national stories fairly and accurately."
Indeed, Murdoch's Journal is winning praise from many quarters. "I think it's better," says Walter Pincus of the Washington Post. "They're printing more stories. Their coverage of Washington has expanded." Says columnist E.J. Dionne Jr.: "I am reading the new Journal with great pleasure because business and economic news is now everybody's news and because they continue to have some first-rate political reporting." "The Journal is a much improved newspaper," says Harold Evans, who clashed bitterly with Murdoch at the Times of London in 1981. "I think the way they've begun to cover politics and the extra space they've put into the paper--that's all to the good. Let's not underestimate the fact that this is a pretty massive investment that they are making."
These comments come as something of a surprise: a great many soothsayers had predicted that Murdoch's ownership would have regrettable, if not catastrophic, consequences for the newspaper. Murdoch stoked those fears: he joked with Time in June 2007, six months before he concluded his $5.6 billion acquisition of Dow Jones & Company, owner of the Journal, that he would put tabloid-style photos of half-naked women in its hallowed pages--provided those women had MBA degrees.
But the wrecking ball has not come to the Journal; sleaze has not invaded its pages; the most dire fears have not been realized. Murdoch has not extinguished quality writing at the paper; he has not transformed the China coverage to benefit his business interests in China; he has not terminated the paper's superb coverage of art, photography, music, dance and theater; he has not murdered the "A-hed," the quirky feature that has adorned Page 1 since 1941; and so on. Says Byron Calame, a deputy assistant managing editor of the Journal who went on to become public editor of the New York Times from 2005 to 2007: "I'm not aware of any corruption of the news standards."
But the Journal has changed in very significant ways. Quite a few Journal watchers--including many people who left the paper but continue to care deeply about it--are reading it with disquiet and unease. They see a newspaper whose coverage of the financial crisis, while impressive in many respects, lacks analytical rigor; a newspaper that is running shorter articles; a newspaper whose copy-editing standards have declined; and a newspaper that is abandoning a rich tradition of long-form narrative journalism.
One picks up the Journal these days with relief and sadness--relief that the newspaper is not an amalgamation of the Murdoch-owned New York Post, Fox News and The Weekly Standard; and sadness that reporters who once wrote finely textured, emotionally affecting feature stories on a universe of subjects now produce, in too many cases, ordinary news stories. "Scoops" and "news" are the new Murdochian mantras, and reporters are generally expected to spend two or three weeks on a piece, not two or three months. Long-form journalism, says one reporter, is "less cherished, less savored" by the new regime led by Murdoch's handpicked editor in chief, Robert Thomson, former editor of Murdoch's Times of London. (Thomson declined to be interviewed for this article.)
"For decades the DNA of the Journal was this double helix: incredibly strong business reporting and incredibly strong narrative/analytical writing," says Joshua Prager, a long-form reporter who recently left the newspaper after almost thirteen years. "But now they've ripped one of the strands out of it: narrative writing is all but gone. As a result, the Wall Street Journal has lost its soul."
Others agree that long-form writing has taken a hit. "As a reader," says Bill Keller, executive editor of the New York Times, "I really miss the long, well-told narratives and ambitious investigative projects. Thomson decries that kind of journalism as a self-indulgence, although I think it brought the old Journal great respect and devotion."
Murdoch has not corrupted the Journal. Instead, he has smothered it and made it ordinary. When Prager invokes the Journal's "soul," he is referring to a tradition that was old-fashioned in the best sense, the sense that valued novelty, surprise and seriousness. An old copy of the Journal was a bit like an old copy of The New Yorker: one could pick it up months later and find something fresh, enduring and original. Today, if you pick up a month-old copy of the Journal, you will mostly find stale news.
Jim Sterba, who joined the Wall Street Journal in 1982 after sixteen unhappy years as a reporter at A.M. Rosenthal's New York Times, captured the old Journal in his 2003 book Frankie's Place: A Love Story.
Journal correspondents never wrote stories that began, "President Bhutto today denounced." They never wrote a story from Vietnam as I often did for the Times that began: "B-52 bombers hit fresh suspected enemy strongholds south of the Demilitarized Zone today." Journal correspondents went looking for their own stories, often wandering serendipitously across the landscape, going wherever the thread of an idea took them. They seemed to take as much time as they needed.... They could be subtle.
The serendipity and subtlety were principally displayed on Page 1, whose design called to mind newspapers of the nineteenth century: columns of undisturbed prose, accentuated by black-and-white line drawings, nestled beneath sly, multilayered headlines. (Photographs did not appear regularly until 2002.) Yet there was nothing antiquated about the writing: Page 1 was not primarily a venue for "hard news" and journalistic ephemera but a home for explanatory narrative, interpretation and storytelling. As a national newspaper, the Journal occupied a special niche: it was a "second read," perused after the San Diego Union-Tribune or the Atlanta Journal-Constitution, which in turn gave the Journal the freedom to focus on long-form, Page 1 "leders" in which reporters invested much of their time and energy, and by which they were judged and promoted. Erik Larson, Jane Mayer, Ron Suskind, James B. Stewart, Susan Faludi, Bryan Burrough, Alex Kotlowitz, Tony Horwitz and Geraldine Brooks are just some of the writers who launched their careers on Page 1 of the Journal.
At its best, in an epoch that future historians will view as a "golden age" for US newspapers, the Journal's front page excelled at various forms: explanatory reporting on politics, economics, science and social trends; deeply researched profiles of companies and executives; and investigative reporting. The Journal pursued General Motors, Mobil Oil, Occidental Petroleum, Texas Instruments, Brown & Williamson Tobacco Corp., Apple and hundreds of other corporations, which inspired Ralph Nader to proclaim that, aside from its "Pleistocene" editorial page, the Journal was "the most effective muckraking daily paper in the country.... the main reporter in our country of corporate crime." (Nader's words prompted Robert Sherrill to read an entire year of the Journal's corporate crime coverage for a Nation cover story in 1997.)
Finally, there was a remarkable tradition of immersion journalism: Alex Kotlowitz spent twelve weeks with a teenage boy and his family in the Henry Horner housing project in Chicago; Judith Valente lived for two months, around the clock, with a family whose son was wasting away from AIDS; Tony Horwitz took a job at a poultry plant in Mississippi to document the brutal conditions inside. This is not to say that Page 1 was flawless or that the Kotlowitz-type narratives were dominant. But they were never absent from the medley, and staffers clearly recall the words of former managing editor Paul Steiger, who led the paper from 1991 to 2007: "Go find stories with moral force."
As time went on, there was less money to pay for those kinds of stories. Under the Bancroft family, Dow Jones was a financial powerhouse until the late 1980s. But advertising revenue never fully recovered from the crash of 1987, and austerity measures were imposed. Ad revenue plunged again after 9/11, and Dow Jones bled $8 million in 2002. Ken Auletta reported in The New Yorker that 1,700 Dow Jones employees were fired between 2000 and 2003--a series of blows, some contend, that weakened the quality of the long-form writing on Page 1. Recalls Byron Calame: "I don't know how many years back, but people would say, 'If the price of the stock goes any lower, Murdoch will grab us.' That was not a remark anyone made with joy."
On December 13, 2007, Rupert Murdoch marched into the Journal newsroom to deliver a victory oration. "It is a new day in the history of this company," he said. "We've come here to expand it, to develop it and, where possible, to improve all of its products." He concluded with these words: "You better get back to work and make sure you're not scooped tomorrow."
Why the new emphasis on scoops, news and speed? One reason, it seems, has to do with Murdoch's stated goal of vanquishing the New York Times. Murdoch can't easily do that in New York City, where the Times has deep loyalty and penetration. But he is obviously keen to persuade educated, affluent readers in San Diego or Atlanta to switch from the Times to the Journal. (The hiring of Thomas Frank, who writes a political column every Wednesday, can certainly be viewed as a play for liberal-minded Times readers.) But it must be said that the news-oriented approach at the Journal is not Murdoch's innovation: faced with mounting competition in the 1970s and '80s, Journal editors allowed more news to appear on Page 1, a trend that accelerated after 9/11, when the paper unveiled a major redesign of its front page that emphasized color and readability; critics howled that the page had been "neutered."
A Murdochian business strategy that accelerates the news tempo of Page 1 has clearly resulted in fewer stories with "moral force." But the approach has yielded some rich results nevertheless. The Journal's coverage of the terrorist assault on Mumbai in late November, for example, was a deeply impressive display of talent and resources; it is unlikely that the old Journal, with its feature-writing orientation, could have equaled it. Other examples abound: on March 3, when federal prosecutors announced that the CIA had destroyed ninety-two videotapes of interrogations of Al Qaeda suspects, the Journal put the story smack in the middle of Page 1; the New York Times ran it on Page A16.
Even critics of editor Robert Thomson admit that the Journal has scored a large number of scoops in the past year. Consider a March 4 Page 1 story headlined Merrill's $10 Million Men, in which reporter Susanne Craig identified eleven Merrill Lynch executives who took home more than $10 million in 2008, a year when the firm's net loss was $27.6 billion. New York Attorney General Andrew Cuomo immediately issued subpoenas to several of the executives named in Craig's article.
Yet on many other occasions the news approach of the Journal seems bland and shopworn. On February 17, Page 1 had two photographs of Shoichi Nakagawa, the Japanese finance minister whose comatose demeanor at a G-7 meeting in Rome generated criticism. But the accompanying story, buried deep inside the paper, was scant and lackluster. For some Journal veterans, this amounts to an attenuation of the newspaper's historic identity. Referring to some recent Page 1 decisions, Calame says, "Putting a picture of an early play from the Super Bowl on top of Page 1, or putting A-Rod big and bold in the middle of the front page is not being unique--it's being like everyone else." (It should be noted that the Journal did not win any Pulitzers this year; the Times won five.)
Others welcome the new approach. "One of my complaints about my paper and the Times," says the Washington Post's Walter Pincus, "is that we print too many long stories. People need time to read newspapers. They don't spend a longer time on newspapers than they did forty years ago. It's still twenty to twenty-five minutes." Others raise the issue of quantity versus quality in the Journal. John Harwood, who now writes for the Times, spent sixteen years covering Washington for the Journal, during which time his mandate was not scoops and speed but analysis, brevity and explanatory reporting. "Now when I look at the Journal, I see too many stories," Harwood says. "And I yearn for some of the synthesizing that we used to do." For reporters at the paper today, he notes, "there is much more pressure to have more stories in the paper."
The new emphasis on breaking news, combined with the paper's historic expertise in business, should, theoretically, guarantee its supremacy in coverage of Wall Street corruption and the current financial implosion. In an interview with me, Ken Auletta described the Journal's recent economic reporting as "fearless." But the Journal's performance has also drawn criticism. Writing on the website of the Columbia Journalism Review (where I am a contributing editor), Dean Starkman argued on December 24 that the Journal's financial coverage, compared with that of the New York Times and Bloomberg News, is "too incremental, overly geared toward those already in the know, and too willing to trade arms-length scrutiny for access."
Starkman's view is that the Times, Bloomberg and the Journal have displayed different angles of vision: "The Journal... understands it is reporting the greatest financial story of our lives. Bloomberg and the Times understand...that they are also reporting the greatest-ever financial scandal." Reporters writing about scandals tend to punch harder and faster than reporters doing mere "stories." Consider how the Journal and the Times have chosen to cover Robert Rubin's tenure at Citigroup. In the November 23 Times, Eric Dash and Julie Creswell published a devastating exposé that highlighted Rubin's responsibility for Citigroup's woes. The piece, which ran on Page 1 of the Sunday edition, was written with unusual force, clarity and purpose. Six days later, the Journal ran a less detailed, more deferential article on the same subject.
For those who keep track, Starkman concluded with this scorecard: "The Journal has been beaten on Citi, Goldman, Paulson, the Federal Reserve bailout and AIG; it has won on the SEC, Lehman and Bear Stearns, and held its own on Fannie, Freddie, regulators and Greenspan." A number of current and former Journal staffers interviewed for this article supported Starkman's broad thesis: that the paper has, to some extent, ceded one of its main assets--the ability to undertake in-depth, explanatory reporting on the structural roots of the financial crisis--to Bloomberg News and the Times. Many Journal watchers cite a recent series in the Times titled "The Reckoning," in which the Dash/Creswell article appeared, as a model of what the old Journal would have aspired to.
"What was great about the Journal was that it allowed people to pursue their different abilities," says Joshua Prager, who recently accepted a buyout from the newspaper. "I'm good at writing long feature stories. I'm horrible at breaking news. They didn't make me do that after a while. That's why the paper worked." I'm sitting with Prager at a restaurant in Upper Manhattan. It's a gray morning in early March, and a cold rain is falling. Prager is a wiry, dark-haired man of 38 who, owing to a car accident, walks with a cane. In his post-Journal life, he intends to write a book about trauma and disability. What really matters now to Journal management, he says, is "breaking news and byline counts: the number of bylines that appear in a given year. So people are desperately churning out stories. You have incredibly talented reporters who could be writing beautiful pieces that are much more in depth. They are encouraged not to now." (Prager admits that some reporters "whose talents lie in breaking news and following stories" have done well under the Murdoch/Thomson regime.)
The classic "leder" is clearly dying, but it has not vanished. Recent standouts include Yaroslav Trofimov on the rise of nonviolent resistance in Kashmir, José de Córdoba on the encroachment of drug cartels into the vital Mexican city of Monterrey, Justin Scheck on drug addiction counselors who become heroin addicts and Mark Maremont on a private equity con man. One can add to this list, and yet close observers agree that the paper is publishing fewer long-form, narrative-driven articles. Those that are published tend to appear in the Weekend Edition, published on Saturday. Murdoch told Time in 2007 that the Journal's longer, in-depth pieces should be held for the weekend. And to a large extent this has been done. Yet the lively weekend edition is not flourishing. When I asked Journal spokesman Robert Christie about the Saturday paper, he replied, "It's expensive to run and deliver. It is not making the kind of money I think people had hoped it would make." This is cause for concern: if the Journal ever decided for financial reasons to eliminate the Weekend Edition, those stories could be marooned.
As for the long pieces that still do appear, a subtle and disturbing shift has taken place: most of them are "on the news." That makes sense, up to a point; newspaper readers want the latest information. But the most distinguished newspapers transcend the narrow boundaries of "news." The old Journal certainly did. By and large, the articles that brought the most honor to the pre-Murdoch Journal were conceived with little thought to the news cycle.
To insist on a news component for long-form and investigative reporting, as Murdoch and Thomson are doing, is to evince a shallow understanding of--and a slight appreciation for--those fragile genres. One of the finest Journal leders I've read is "Life and Death," Gary Fields's 2005 profile of Richard "Grasshopper" Leggett, a 53-year-old carpenter at Angola Prison in Louisiana, who builds seven-foot coffins for his fellow inmates. Sentences like this bring the piece to life: "At Angola, funerals are elaborate affairs, with hand-made coffins pulled to graves by horse-drawn carriages, in rites conducted almost entirely by inmates." In its emotional power, its tight, radiant language and its wide sweep, "Life and Death" reveals more about prison life than twenty ordinary newspaper stories. There isn't much room for sparkling, poignant features about prison carpenters in today's Journal.
But do Journal reporters of Fields's caliber still feel they can do high-quality work outside that tradition? It's a knotty question I attempted to answer by contacting them. One of the first Journal reporters I called was Jonathan Kaufman, who, over the course of a long career, has produced splendid leders on race, immigration and education: his work embodies the finest qualities of the old Journal. But Kaufman is leaving the Journal for Bloomberg News; he declined to speak with The Nation. I went on to contact twenty-nine staffers, including the most distinguished reporters and editors; not one would talk on the record, and only a few agreed to speak off the record. Fear is stalking the hallways of the Journal, which will soon vacate its Lower Manhattan office for new digs at News Corp headquarters in Midtown.
Another writer I attempted to reach was Lucette Lagnado, who, since 1996, has covered a crucial beat for the Journal: hospitals, the poor, the uninsured. One of her most vivid and outstanding pieces, which clearly took months of work and which generated Congressional action, appeared in 2007 under this headline: Prescription Abuse Seen in U.S. Nursing Homes; Powerful Antipsychotics Used to Subdue Elderly; Huge Medicaid Expense. I was curious about Lagnado's current situation at the paper: on February 20 she wrote a meager article about falling prices for luxury real estate in the Hamptons. And on April 4 she produced a leder on the parental duties of the elderly during the economic crisis--one that was noticeably less ambitious in scope than her usual investigative fare. But Lagnado declined to talk to me: "I shall not be available for your story," she wrote in an e-mail. Over the next year or two, Lagnado's fate--and those of several dozen old-school, independent-minded reporters like her--will reveal much about Murdoch's Journal. Says Prager, "A tremendous number of reporters there are frustrated now."
That frustration could mount in the coming months. On March 19 Thomson sent the staff a memo regarding the integration of the Journal with Dow Jones Newswires, which competes with Bloomberg and Thomson Reuters in the lucrative financial news market. In the past, reporters were encouraged to produce material for the Newswires, but now it is mandatory. As Thomson wrote, "Even a headstart of a few seconds is priceless for a commodities trader or a bond dealer.... henceforth all Journal reporters will be judged, in significant part, by whether they break news for the Newswires." With its emphasis on speed over analysis, and its insistence that every reporter fall into line, Thomson's memo might well be seen, in the years to come, as one more nail in the coffin of long-form writing at the Journal.
One striking consequence of the meltdown of the US newspaper industry has been the semi-rehabilitation of Rupert Murdoch. A boogeyman who was vilified for attempting to purchase Dow Jones is being extolled for his commitment to ink, paper, printing presses and a well-staffed newsroom. Talking to people about Murdoch's Journal, one hears countless variations on this theme: "Well, at least Rupert's investing in it..." The Media Baron Who Loves Print was the headline of a recent New York Times article about the Australian press lord. Journal spokesman Robert Christie puts it this way: "He's largely viewed, whether you like him or not, as someone who has invested in and is saving the paper."
Perhaps so. But admirers of the Journal should not overlook what has been lost or ignore Murdoch's heavy hand. In early 2008 he forced out the paper's well-regarded editor, Marcus Brauchli, in a way that circumvented a "special committee" established as a condition of the sale of Dow Jones to News Corp. Part of the committee's mandate was to preserve the Journal's editorial independence, for which it was given "rights of approval" on the hiring and firing of the managing editor. But Murdoch ignored the committee (whose members received annual salaries of $100,000) and, in the words of Slate press critic Jack Shafer, reduced its members to "a set of high-paid flunkies."
Brauchli, now executive editor of the Washington Post, was replaced by Thomson, the US managing editor of the Financial Times before he took over the Times of London. In public Thomson is quick to praise his boss: "Rupert is passionate about newspapers; he's passionate about news," he told a group of journalism students in 2008. "What we are experiencing at the Wall Street Journal is the articulation of that passion."
First-rate editors not only praise their publishers in public but challenge them behind closed doors. Is Thomson strong and confident enough to challenge Murdoch? On that score, Journal watchers are not optimistic. "I don't think there is any possibility that Thomson will stand up to Murdoch on any major issue," says former Journal executive editor Fred Taylor. "That's why he's in that job." Time will tell if Thomson, like his predecessors Taylor, Norman Pearlstine and Paul Steiger, is interested in stories with "moral force," or if he is merely Murdoch's caretaker and custodian.
Some staffers were jolted by Thomson's announcement, in November, that the paper's new deputy editor in chief would be Gerard Baker, a veteran of the BBC, the Financial Times and the Times of London, where he served, most recently, as US editor and (conservative) columnist. Writing in the Times of London on November 7, Baker lamented, "An Obama administration and a solidly Democratic Congress represent the most significant and unwelcome leftward tilt in American politics in at least a generation." Some Journal staff have circulated, with amusement and dismay, a YouTube clip originating from Fox News, in which Baker offers a puerile commentary on the candidacy of Barack Obama. Says one staffer with a sigh: "It seems doubtful they conducted an exhaustive nationwide search to find the best qualified candidate for the number-two job in the Journal's newsroom. What does it tell you that someone like Baker was appointed?"
Overt bias in the Journal's news columns has been rare. But a handful of recent ledes and headlines raise eyebrows. Consider the opening sentence of the paper's Page 1 story on January 29, concerning the stimulus package: "The House passed an $819 billion tax-and-spending bill Wednesday..." Or this Page 1 headline from February 26: $318 Billion Tax Hit Proposed. (The New York Times, in contrast, chose the headline Obama to Call for Higher Tax on Top Earners.) If Paul Steiger or Marcus Brauchli were still at the helm of the Journal, no one would fret about bias in the news columns. However, a fundamental question remains about the new regime: are Murdoch, Thomson and Baker truly committed to the old model of unbiased news reporting, or might they be tempted to embrace a more politicized, pugnacious and populist version of the news?
"I'm a little puzzled by the Journal's evolving identity," Times executive editor Bill Keller told me in an e-mail. "Some days the front page is mostly general-interest news, like a cross between the Times and USA Today. Then the next day you get a front like today [March 12], when the lead story ("EBay Retreats in Web Retailing") is clearly aimed at core business readers. Some days the tone is FT (a top-of-the-page curtain raiser on the G-20 summit); some days it is tabloid populist (lashing the million-dollar-bonus recipients at Merrill). If the paper has made up its mind what it wants to be, it's not clear to me. Maybe they hope we'll all keep reading just to see how they resolve their identity crisis."
Journal staffers, too, are uncertain about the paper's overall direction. "Because of the election and the financial crisis, and the daily crush of big, breaking news, the last six months were not typical," says one reporter. "The test will come when all that settles down, when we have a less tumultuous news cycle. At that point we'll see how things shake out." A former reporter, sounding like Eugene Roberts circa 2008, is more bitingly cynical: "This country will soon have two USA Todays and one New York Times." (Some of the bloated color graphics that have recently appeared in the Journal do call to mind USA Today or the New York Post.) But the prevailing sentiment among Journal staff is relief that, at a time when thousands of newspaper jobs have been liquidated, they are still employed. Says one Journal reporter: "Is it better to be on a sinking ship, or one that's been captured by pirates? While other newspapers are going down, for now we're still afloat."

Scott Sherman is a contributing writer to The Nation.

The Death and Life of Great American Newspapers

By John Nichols & Robert W. McChesney
This article appeared in the April 6, 2009 edition of The Nation.


John Nichols and Robert W. McChesney were the founders, with Josh Silver, of Free Press, which has launched a campaign to save the news. Their book, Saving Journalism: The Soul of Democracy, will be published by New Press in the fall.

Communities across America are suffering through a crisis that could leave a dramatically diminished version of democracy in its wake. It is not the economic meltdown, although the crisis is related to the broader day of reckoning that appears to have arrived. The crisis of which we speak involves more than mere economics. Journalism is collapsing, and with it comes the most serious threat in our lifetimes to self-government and the rule of law as it has been understood here in the United States.
After years of neglecting signs of trouble, elite opinion-makers have begun in recent months to recognize that things have gone horribly awry. Journals ranging from Time, The New Yorker, The Atlantic and The New Republic to the New York Times and the Los Angeles Times concur on the diagnosis: newspapers, as we have known them, are disintegrating and are possibly on the verge of extinction. Time's Walter Isaacson describes the situation as having "reached meltdown proportions" and concludes, "It is now possible to contemplate a time in the near future when major towns will no longer have a newspaper and when magazines and network news operations will employ no more than a handful of reporters." A newspaper industry that still employs roughly 50,000 journalists--the vast majority of the remaining practitioners of the craft--is teetering on the brink.
Blame has been laid first and foremost on the Internet, for luring away advertisers and readers, and on the economic meltdown, which has demolished revenues and hammered debt-laden media firms. But for all the ink spilled addressing the dire circumstance of the ink-stained wretch, the understanding of what we can do about the crisis has been woefully inadequate. Unless we rethink alternatives and reforms, the media will continue to flail until journalism is all but extinguished.
Let's begin with the crisis. In a nutshell, media corporations, after running journalism into the ground, have determined that news gathering and reporting are not profit-making propositions. So they're jumping ship. The country's great regional dailies--the Chicago Tribune, the Los Angeles Times, the Minneapolis Star Tribune, the Philadelphia Inquirer--are in bankruptcy. Denver's Rocky Mountain News recently closed down, ending daily newspaper competition in that city. The owners of the San Francisco Chronicle, reportedly losing $1 million a week, are threatening to shutter the paper, leaving a major city without a major daily newspaper. Big dailies in Seattle (the Times), Chicago (the Sun-Times) and Newark (the Star-Ledger) are reportedly near the point of folding, and smaller dailies like the Baltimore Examiner have already closed. The 101-year-old Christian Science Monitor, in recent years an essential source of international news and analysis, is folding its daily print edition. The Seattle Post-Intelligencer is scuttling its print edition and downsizing from a news staff of 165 to about twenty for its online-only incarnation. Whole newspaper chains--such as Lee Enterprises, the owner of large and medium-size publications that for decades have defined debates in Montana, Iowa and Wisconsin--are struggling as the value of stock shares falls below the price of a single daily paper. And the New York Times needed an emergency injection of hundreds of millions of dollars by Mexican billionaire Carlos Slim in order to stay afloat.
Those are the headlines. Arguably uglier is the death-by-small-cuts of newspapers that are still functioning. Layoffs of reporters and closings of bureaus mean that even if newspapers survive, they have precious few resources for actually doing journalism. Job cuts during the first months of this year--300 at the Los Angeles Times, 205 at the Miami Herald, 156 at the Atlanta Journal-Constitution, 150 at the Kansas City Star, 128 at the Sacramento Bee, 100 at the Providence Journal, 100 at the Hartford Courant, ninety at the San Diego Union-Tribune, thirty at the Wall Street Journal and on and on--suggest that this year will see far more positions eliminated than in 2008, when almost 16,000 were lost. Even Doonesbury's Rick Redfern has been laid off from his job at the Washington Post.
The toll is daunting. As former Washington Post executive editor Leonard Downie Jr. and Post associate editor Robert Kaiser have observed, "A great news organization is difficult to build and tragically easy to disassemble." That disassembling is now in full swing. As journalists are laid off and newspapers cut back or shut down, whole sectors of our civic life go dark. Newspapers that long ago closed their foreign bureaus and eliminated their crack investigative operations are shuttering at warp speed what remains of city hall, statehouse and Washington bureaus. The Cox chain, publisher of the Atlanta Journal-Constitution, the Austin American-Statesman and fifteen other papers, will padlock its DC bureau on April 1--a move that follows the closures of the respected Washington bureaus of Advance Publications (the Newark Star-Ledger, the Cleveland Plain Dealer and others); Copley Newspapers and its flagship San Diego Union-Tribune; as well as those of the once great regional dailies of Des Moines, Hartford, Houston, Pittsburgh, Salt Lake City, San Francisco and Toledo.
Mired in debt and facing massive losses, the managers of corporate newspaper firms seek to right the sinking ship by cutting costs, leading remaining newspaper readers to ask why they are bothering to pay for publications that are pale shadows of themselves. It is the daily newspaper death dance-cum- funeral march.
But it is not just newspapers that are in crisis; it is the institution of journalism itself. By any measure, journalism is missing from most commercial radio. TV news operations have become celebrity- and weather-obsessed "profit centers" rather than the journalistic icons of the Murrow and Cronkite eras. Cable channels "fill the gap" with numberless pundits and "business reporters," who got everything about the last decade wrong but now complain that the government doesn't know how to set things right. Cable news is defensible only because of the occasional newspaper reporter moonlighting as a talking head. But what happens when the last reporter stops collecting a newspaper paycheck and goes into PR or lobbying? She'll leave cable an empty vessel and take the public's right to know anything more than a rhetorical flourish with her.
The Internet and blogosphere, too, depend in large part on "old media" to do original journalism. Web links still refer readers mostly to stories that first appeared in print. Even in more optimistic scenarios, no one has a business model to sustain digital journalism beyond a small number of self-supporting services. The attempts of newspapers to shift their operations online have been commercial failures, as they trade old media dollars for new media pennies. We are enthusiastic about Wikipedia and the potential for collaborative efforts on the web; they can help democratize our media and politics. But they do not replace skilled journalists on the ground covering the events of the day and doing investigative reporting. Indeed, the Internet cannot achieve its revolutionary potential as a citizens' forum without such journalism.
So this is where we stand: much of local and state government, whole federal departments and agencies, American activities around the world, the world itself--vast areas of great public concern--are either neglected or on the verge of neglect. Politicians and administrators will work increasingly without independent scrutiny and without public accountability. We are entering historically uncharted territory in America, a country that from its founding has valued the press not merely as a watchdog but as the essential nurturer of an informed citizenry. The collapse of journalism and the democratic infrastructure it sustains is not a development that anyone, except perhaps corrupt politicians and the interests they serve, looks forward to. Such a crisis demands solutions equal to the task. So what are they?
Regrettably the loud discussion of the collapse of journalism has been far stronger in describing the symptoms than in providing remedies. With the frank acknowledgment that the old commercial system has failed and will not return, there has been a flurry of modest proposals to address the immodest crisis. These range from schemes to further consolidate news gathering at the local level to pleas for donations from news consumers and hopes that hard-pressed philanthropists and foundations will decide to go into the news business. And they range from ineffectual to improbable to undesirable. Walter Isaacson has proposed that newspapers come up with a plan to charge readers "micropayments" for online content. Even if such a system were practically possible, the last thing we should do is erect electronic walls that block the openness and democratic genius of the Internet.
Don't get us wrong. We are enthusiastic about many of the efforts to promote original journalism online, such as ProPublica, Talking Points Memo and the Huffington Post. We cheer on exciting local endeavors, such as MinnPost in the Twin Cities--a nonprofit, five-day-a-week online journal that covers Minnesota politics with support from major foundations, wealthy families and roughly 900 member-donors contributing $10 to $10,000. But even our friends at MinnPost acknowledge that their project is not filling the void in a metro area that still has two large, if struggling, daily newspapers. Just about every serious journalist involved in an online project will readily concede that even if these ventures pan out, we will still have a dreadfully undernourished journalism system with considerably less news gathering and reporting, especially at the local level.
For all their merits and flaws, these fixes are mere triage strategies. They are not cures; in fact, if there is a risk in them, it is that they might briefly discourage the needed reshaping of ownership models that are destined to fail.
The place to begin crafting solutions is with the understanding that the economic downturn did not cause the crisis in journalism; nor did the Internet. The economic collapse and Internet have greatly accentuated and accelerated a process that can be traced back to the 1970s, when corporate ownership and consolidation of newspapers took off. It was then that managers began to balance their books and to satisfy the demand from investors for ever-increasing returns by cutting journalists and shutting news bureaus. Go back and read a daily newspaper published in a medium-size American city in the 1960s, and you will be awed by the rich mix of international, national and local news coverage and by the frequency with which "outsiders"--civil rights campaigners, antiwar activists and consumer advocates like Ralph Nader--ended up on the front page.
As long ago as the late 1980s and early 1990s, prominent journalists and editors like Jim Squires were quitting the field in disgust at the contempt corporate management displayed toward journalism. Print advertising, which still accounts for the lion's share of newspaper revenue, declined gently as a percentage of all ad spending from 1950 to '90, as television grew in importance. Starting in 1990, well before the rise of the web as a competitor for ad dollars, newspaper ad revenues went into a sharp decline, from 26 percent of all media advertising that year to what will likely be around 10 percent this year.
Even before that decline, newspaper owners were choosing short-term profits over long-term viability. As far back as 1983, legendary reporter Ben Bagdikian warned publishers that if they continued to water down their journalism and replace it with (less expensive) fluff, they would undermine their raison d'être and fail to cultivate younger readers. But corporate newspaper owners abandoned any responsibility to maintain the franchise. When the Internet came along, newspapers were already heading due south.
We do not mean to suggest that '60s journalism was perfect or that we should aim to return there. Even then journalism suffered from a generally agreed-upon professional code that relied far too heavily on official sources to set the news agenda and decide the range of debate in our political culture. That weakness of journalism has been magnified in the era of corporate control, leaving us with a situation most commentators are loath to acknowledge: the quality of journalism in the United States today is dreadful.
Of course, there are still tremendous journalists doing outstanding work, but they battle a system increasingly pushing in the opposite direction. (That is why some of the most powerful statements about our current circumstances come in the form of books, like Naomi Klein's The Shock Doctrine; or documentaries, like Michael Moore's Bowling for Columbine; or beat reporting in magazines, like that of Jane Mayer and Seymour Hersh at The New Yorker.) The news media blew the coverage of the Iraq invasion, spoon-feeding us lies masquerading as fact-checked verities. They missed the past decade of corporate scandals. They cheered on the housing bubble and genuflected before the financial sector (and Gilded Age levels of wealth and inequality) as it blasted debt and speculation far beyond what the real economy could sustain. Today they do almost no investigation into where the trillions of public dollars being spent by the Federal Reserve and Treasury are going but spare not a moment to update us on the "Octomom." They trade in trivia and reduce everything to spin, even matters of life and death.
No wonder young people find mainstream journalism uninviting; it would almost be more frightening if they embraced what passes for news today. Older Americans have been giving up on old media too, if not as rapidly and thoroughly as the young. If we are going to address the crisis in journalism, we have to come up with solutions that provide us with hard-hitting reporting that monitors people in power, that engages all our people, not just the classes attractive to advertisers, and that seeks to draw all Americans into public life. Going backward is not an option; nor is it desirable. The old corporate media system choked on its own excess. We should not seek to restore or re-create it. We have to move forward to a system that creates a journalism far superior to that of the recent past.
We can do exactly that--but only if we recognize and embrace the necessity of government intervention. Only government can implement policies and subsidies to provide an institutional framework for quality journalism. We understand that this is a controversial position. When French President Nicolas Sarkozy recently engineered a $765 million bailout of French newspapers, free marketeers rushed to the barricades to declare, "No, no, not in the land of the free press." Conventional wisdom says that the founders intended the press to be entirely independent of the state, to preserve the integrity of the press. Bree Nordenson notes that when she informed famed journalist Tom Rosenstiel that her visionary 2007 Columbia Journalism Review article concerned the ways government could support the press, Rosenstiel "responded brusquely, 'Well, I'm not a big fan of government support.' I explained that I just wanted to put the possibility on the table. 'Well, I'd take it off the table,' he said."
We are sympathetic to that position. As writers, we have been routinely critical of government--Democratic and Republican--over the past three decades and antagonistic to those in power. Policies that would allow politicians to exercise even the slightest control over the news are, in our view, not only frightening but unacceptable. Fortunately, the rude calculus that says government intervention equals government control is inaccurate and does not reflect our past or present, or what enlightened policies and subsidies could entail.
Our founders never thought that freedom of the press would belong only to those who could afford a press. They would have been horrified at the notion that journalism should be regarded as the private preserve of the Rupert Murdochs and John Malones. The founders would not have entertained, let alone accepted, the current equation that seems to say that if rich people determine there is no good money to be made in the news, then society cannot have news. Let's find a king and call it a day.
The founders regarded the establishment of a press system, the Fourth Estate, as the first duty of the state. Jefferson and Madison devoted considerable energy to explaining the necessity of the press to a vibrant democracy. The government implemented extraordinary postal subsidies for the distribution of newspapers. It also instituted massive newspaper subsidies through printing contracts and the paid publication of government notices, all with the intent of expanding the number and variety of newspapers. When Tocqueville visited the United States in the 1830s he was struck by the quantity and quality of newspapers and periodicals compared with France, Canada and Britain. It was not an accident. It had little to do with "free markets." It was the result of public policy.
Moreover, when the Supreme Court has taken up matters of freedom of the press, its majority opinions have argued strongly for the necessity of the press as the essential underpinning of our constitutional republic. First Amendment absolutist Hugo Black wrote that the "Amendment rests on the assumption that the widest possible dissemination of information from diverse and antagonistic sources is essential to the welfare of the public, that a free press is a condition of a free society." Black argued for the right and necessity of the government to counteract private monopolistic control over the media. More recently Justice Anthony Kennedy, a Reagan appointee, argued that "assuring the public has access to a multiplicity of information sources is a governmental purpose of the highest order."
But government support for the press is not merely a matter of history or legal interpretation. Complaints about a government role in fostering journalism invariably overlook the fact that our contemporary media system is anything but an independent "free market" institution. The government subsidies established by the founders did not end in the eighteenth--or even the nineteenth--century. Today the government doles out tens of billions of dollars in direct and indirect subsidies, including free and essentially permanent monopoly broadcast licenses, monopoly cable and satellite privileges, copyright protection and postal subsidies. (Indeed, this magazine has been working for the past few years with journals of the left and right to assure that those subsidies are available to all publications.) Because the subsidies mostly benefit the wealthy and powerful, they are rarely mentioned in the fictional account of an independent and feisty Fourth Estate. Both the rise and decline of commercial journalism can be attributed in part to government policies, which scrapped the regulations and ownership rules that had encouraged local broadcast journalism and allowed for lax regulation as well as tax deductions for advertising--policies that greatly increased news media revenues.
The truth is that government policies and subsidies already define our press system. The only question is whether they will be enlightened and democratic, as in the early Republic, or corrupt and corrosive to democracy, as has been the case in recent decades. The answer will be determined in coming years as part of what is certain to be a bruising battle: media companies and their lobbying groups will argue against the "heavy hand of government" while defending existing subsidies. They will propose more deregulation, hoping to capitalize on the crisis to remove the last barriers to print, broadcast and digital consolidation in local markets--creating media "company towns," where competition is eliminated, along with journalism jobs, in pursuit of better returns for investors. Enlightened elected officials, media unions and public interest and community groups that recognize the role of robust journalism are going to have to step up to argue for a real fix.
Fortunately, an increasing number of veteran journalists, scholars and activists are beginning to grasp the historical significance of the present moment and the central role of public policy. It was the late James Carey, decorated University of Illinois and Columbia journalism professor and no fan of government power, who saw this before almost anyone else, writing in 2002: "Alas, the press may have to rely upon a democratic state to create the conditions necessary for a democratic press to flourish and for journalists to be restored to their proper role as orchestrators of the conversation of a democratic culture."
We have to ask where we want to end up, after the reforms have been implemented. In our view we need to have competing independent newsrooms of well-paid journalists in every state and in every major community. This is not about newspapers or even broadcast media; it entails all media and accepts that we may be headed into an era when nearly all of our communication will be digital. Ideally this will be a pluralistic system, where there will be different institutional structures. Varieties of nonprofit media will have to play a much larger role, though not a monopolistic one.
We recognize and embrace the need for a system in which there will be a range of perspectives from left to right, alongside some media more intent on maintaining a less explicitly ideological stance. We must have a system that prohibits state censorship and that minimizes commercial control over journalistic values and pursuits. The right of any person to start his or her own medium, commercial or nonprofit, at any time is inviolable. From this foundation we can envision a thriving, digital citizen's journalism complementing and probably merging with professional journalism. What will the mix be? It would vary, with more not-for-profit and subsidized media in rural and low-income areas, more for-profit media in wealthier ones. The first order of any government intervention would be to assure that no state or region would be without quality local, state, national or international journalism.
We begin with the notion that journalism is a public good, that it has broad social benefits far beyond that between buyer and seller. Like all public goods, we need the resources to get it produced. This is the role of the state and public policy. It will require a subsidy and should be regarded as similar to the education system or the military in that regard. Only a nihilist would consider it sufficient to rely on profit-seeking commercial interests or philanthropy to educate our youth or defend the nation from attack. With the collapse of the commercial news system, the same logic applies. Just as there came a moment when policy-makers recognized the necessity of investing tax dollars to create a public education system to teach our children, so a moment has arrived at which we must recognize the need to invest tax dollars to create and maintain news gathering, reporting and writing with the purpose of informing all our citizens.
So, if we can accept the need for government intervention to save American journalism, what form should it take? In the near term, we need to think about an immediate journalism economic stimulus, to be revisited after three years, and we need to think big. Let's eliminate postal rates for periodicals that garner less than 20 percent of their revenues from advertising. This keeps alive all sorts of magazines and journals of opinion that are being devastated by distribution costs. It is these publications that often do investigative, cutting-edge, politically provocative journalism.
What to do about newspapers? Let's give all Americans an annual tax credit for the first $200 they spend on daily newspapers. The newspapers would have to publish at least five times per week and maintain a substantial "news hole," say at least twenty-four broad pages each day, with less than 50 percent advertising. In effect, this means the government will pay for every citizen who so desires to get a free daily newspaper subscription, but the taxpayer gets to pick the newspaper--this is an indirect subsidy, because the government does not control who gets the money. This will buy time for our old media newsrooms--and for us citizens--to develop a plan to establish journalism in the digital era. We could see this evolving into a system to provide tax credits for online subscriptions as well.
None of these proposed subsidies favor or censor any particular viewpoint. The primary condition on media recipients of this stimulus subsidy would be a mild one: that they make at least 90 percent of their content immediately available free online. In this way, the subsidies would benefit citizens and taxpayers, expanding the public domain and providing the Internet with a rich vein of material available to all.
What should be done about the disconnect between young people and journalism? Have the government allocate funds so every middle school, high school and college has a well-funded student newspaper and a low-power FM radio station, all of them with substantial websites. We need to get young people accustomed to producing journalism and to appreciating what differentiates good journalism from the other stuff.
The essential component for the immediate stimulus should be an exponential expansion of funding for public and community broadcasting, with the requirement that most of the funds be used for journalism, especially at the local level, and that all programming be available for free online. Other democracies outspend the United States by whopping margins per capita on public media: Canada sixteen times more; Germany twenty times more; Japan forty-three times more; Britain sixty times more; Finland and Denmark seventy-five times more. These investments have produced dramatically more detailed and incisive international reporting, as well as programming to serve young people, women, linguistic and ethnic minorities and regions that might otherwise be neglected by for-profit media.
Perhaps in the past the paucity of public media in the United States could be justified by the enormous corporate media presence. But as the corporate sector shrivels we need something to replace it, and fast. Public and community broadcasters are in a position to be just that, and to keep alive the practice of news gathering in countless communities across the nation. Indeed, if a regional daily like the San Francisco Chronicle fails this year, why not try a federally funded experiment: maintain the newsroom as a digital extension of the local public broadcasting system?
Currently the government spends less than $450 million annually on public media. (To put matters in perspective, it spends several times that much on Pentagon public relations designed, among other things, to encourage favorable press coverage of the wars that the vast majority of Americans oppose.) Based on what other highly democratic and free countries do, the allocation from the government should be closer to $10 billion. All totaled, the suggestions we make here for subscription subsidies, postal reforms, youth media and investment in public broadcasting have a price tag in the range of $60 billion over the next three years.
This is a substantial amount of money. In normal times it might be too much to ask. But in a time of national crisis, when an informed and engaged citizenry is America's best hope, $20 billion a year is chicken feed for building what would essentially be a bridge across which journalism might pass from dying old media to the promise of something new. Think of it as a free press "infrastructure project" that is necessary to maintain an informed citizenry, and democracy itself. It would keep the press system alive. And it has the added benefit of providing an economic stimulus. If these journalists (and the tens of thousands of production and distribution workers associated with newspapers) are not put to work through the programs we propose, their knowledge and expertise will be lost. They will be unemployed, and their unemployment will contribute to further stagnation and economic decline--especially in big cities where newspapers are major employers.
These proposals are a good start, but then the really hard work begins. We have to come up with a plan to convert failing newspapers into journalistic entities with the express purpose of assuring that fully staffed, functioning and, ideally, competing newsrooms continue to operate in communities across the country. The only way to do this is by using tax policies, credit policies and explicit subsidies to convert the remains of old media into independent, stable institutions that are ready to compete and communicate in the decades to come. To get from here to there, and especially to make possible multiple competing newsrooms in larger communities, policy-makers should be open to commercial ownership, municipal ownership, staff ownership or independent nonprofit ownership. Ideally the next media system will have a combination of the above; and the government should be prepared to rewrite rules and regulations and to use its largesse to aid a variety of sound initiatives.
We confess that we do not have all the answers. Neither, we have discovered, does anyone else. The fatal flaw in so many sincere but doomed responses to the current crisis is that they try to do the impossible, to create a system using varying doses of foundation grants, do-gooder capitalism, citizen donations, volunteer labor, the anticipation of a miraculous increase in advertising manna and/or a sudden--and in our view unimaginable--reversal on the part of Americans who have thus far shown no inclination to pay for online content. At best, these are piecemeal proposals when we are in dire need of building an entire edifice. The money from these sources is insufficient to address the crisis in journalism.
We have to open the door to enlightened public policies and subsidies. We need our members of Congress and our leading scholars to approach this matter with the same urgency with which they would approach the threat of terrorism, pandemic, financial collapse or climate change. We need an organized citizenry demanding the institutions that make self-government possible. Only then can we, like our founders, build a free press. The technologies and the economic challenges are, of course, more complex than in the 1790s, but the answer is the same: the democratic state, the government, must create the conditions for sustaining the journalism that can provide the people with the information they need to be their own governors.

About John Nichols
John Nichols, a pioneering political blogger, has written The Beat since 1999. His posts have been circulated internationally, quoted in numerous books and mentioned in debates on the floor of Congress.
Nichols writes about politics for The Nation magazine as its Washington correspondent. He is a contributing writer for The Progressive and In These Times and the associate editor of the Capital Times, the daily newspaper in Madison, Wisconsin. His articles have appeared in the New York Times, Chicago Tribune and dozens of other newspapers.

About Robert W. McChesney
Robert McChesney is Gutgsell Endowed Professor in the Department of Communication at the University of Illinois. He hosts the program Media Matters on WILL-AM every Sunday afternoon from 1-2PM central time. He and John Nichols, The Nation's Washington correspondent, are the founders of Free Press, the media reform network, and the authors of Tragedy and Farce: How the American Media Sell Wars, Spin Elections, and Destroy Democracy (New Press). He has written 16 books and his work has been translated into 15 languages.


http://www.thenation.com/doc/20090406/nichols_mcchesney/print